About me

"Angela YT Chan is an independent researcher, curator and artist. Her work reconfigures power in relation to the inequity of climate change, through self-archiving, rethinking geographies and speculative fiction. Her recent research-art commissions span climate framings, water scarcity and conflict, and has held residencies with Arts Catalyst, FACT/Jerwood Arts’ Digital Fellowship and Sonic Acts’ environmental research residency. Since 2014, Angela has produced curatorial projects and workshops as Worm: art + ecology, collaborating with artists, activists and youth groups. She co-founded the London Chinese Science Fiction Group and co-directs the London Science Fiction Research Community. Angela is also a research consultant, having worked in international climate and cultural policy and on climate and sustainability projects for major cultural institutions. Angela holds a joint honours undergraduate in History of Art and Scandinavian Studies with Norwegian (UCL) and an MA in Climate Change: History, Culture, Society (KCL)."

Reach me through

My main projects are




Image: Angela YT Chan

Art practice

My art making practice centres climate knowledges and communication through co-learning anti-colonial climate narratives. It emphasises inclusive participation in everyday local and global climate activism, challenging the systemic structures of climate knowledge discourses (colonial histories, imperialist sciences). My work includes video recordings (with an interest in environmental remote sensing technologies), drawings, collaborative interviews, and speculative fiction writing as modes of representing bodies of research.

I developed a project titled Rain Paradox (2021), which critiques the language and climate communication methods of the UK’s 2020 Environmental Agency report, "Great British Rain Paradox" on our imminent water scarcity. I also explore alternative climate communication strategies that recentre marginalised experiences of climate impacts in the UK. My project is supported by the FACT and Jerwood Arts' Digital Fellowship and exhibited at FACT Liverpool as part of the residents' group show Uncertain Data.

I created [Export_Explode> (2021) a video work summarising my research into the international environmental and humanitarian legacies of the former Pitsea Explosives Factory, now the Wat Tyler Country Park. I produced it as a commissioned artist for Estuary 2021.

In October 2021, I carried out development research for my residency at Primary in Nottingham for their Nourishment: A Cyclical Programme

I will join Sonic Acts' OVEREXPOSED as an environmental research resident, with my focus on long-term environmental pollutants of weapons within the cycles of climate and social injustice, protest and state sanctioned humanitarian and environmental violence worldwide.

I was part of the year-long Myco-Lective artist development programme through Chisenhale Gallery, thinking about interspecies futures with other practitioners.

Image: [Export_Explode>, (2021) by Angela YT Chan

Worm: art + ecology

Since 2014, I have independently worked on Worm: art + ecology (, a long-term curatorial project that communicates climate change issues through contemporary art and creative practices. Through this, I produce online and gallery exhibitions, interviews with practitioners and also deliver public workshops and talks focused on intersectional climate justice issues.

I have curated publicly funded gallery and online group exhibitions as Worm: art + ecology:

Moving image: Worm: art + ecology logo by Al Walker

I work actively with science and speculative fiction through literature and art, collaborating with authors, translators and editors worldwide.

London Science Fiction Research Community (LSFRC)

I also co-direct the London Science Fiction Research Community (LSFRC). This year’s LSFRC theme for our monthly reading group and annual conference is SF & Extraction.

London Chinese Science Fiction Group

Co-founding the London Chinese Science Fiction Group (LCSFG) (April 2019-April 2022), I co-curated the programme of translated readings and organise the monthly discussion meetings hosted at UCL, now online, facilitating discussions between readers, with the authors and translators.

Publication and writing

My writing is published in Science Fiction (2020, MIT Press and Whitechapel Gallery), and I have written about SF and interviewed science fiction authors for Dream Babes Zine 2.0 (PSS) and for filmmaker Cao Fei's London exhibition.

My paper Climate Change and Contemporary Chinese Science and Speculative Fiction: Invisible, Extractive and Uneven Boundaries, is published in SFRA Review, Vol. 51, No. 1. It situates Chinese climate SF within the geopolitics of climate change and I presented it at LSFRC's Beyond Borders: Empires, Bodies, Science Fictions conference, as well as the livestreamed and recorded Hybrid Conference for FIBER Festival. Listen back here

Can Chinese Science Fiction Transcend Binary Thinking? a roundatable with Mia Chen Ma, Yen Ooi, Frederike Schneider-Vielsäcker, Regina Kanyu Wang and myself for the SFRA 2021 conference, and published in SFRA Review, vol. 51, no. 4, the flagship publication of the Science Fiction Research Association.

I wrote a short fiction Finding Space (2021) for the publication for Jerwood Arts.

Image: Cover of the publication Science Fiction (2020, MIT Press and Whitechapel Gallery)


Alongside diverse public workshop facilitations through gallery and museum programming with adults (students, professional practitioners and people with no prior experience), I also work with youth groups (aged 14-19) on longer projects about creative and intersectional perspectives on climate change. I deliver workshop series that introduce the colonial histories of climate change and encourage wider and connecting discussions on racial, social and youth activisms across climate justice activities. I also navigate with young people how worldbuilding through science and speculative fiction could bring inclusive storytelling, as an exciting way to create their own climate narratives that speak to their imagined futures.

Youth groups I have worked with include the Art Assassins at South London Gallery (Summer 2019) who self-directed their own comic book project, and the RawMinds Ambassadors at Wellcome Collection (April - September 2020), who organised a webinar event with invited speakers for other 14-19 year olds, to explore the globally uneven climate impacts of food, ‘sustainable’ fashion and futures.

Image: Illustration by Immy Perryman for the RawMinds Ambassadors' event with the Wellcome Collection.


I regularly give public talks as part of museum and gallery exhibition programming, as well as conferences related to the climate, environmental, technology and literary sectors.

Some institutions I have spoken at include Henry Moore Institure, ICA London, Stuart Hall Library / Iniva, Barbican, Barber Institute, Somerset House, V&A Museum, London Design Biennale and many others.

I enjoy participating with grassroots arts and activism groups. I have spoken at events organised by daikon* and Mother Tongues, and have also appeared on radio shows on stations like Resonance FM and Montez Press Radio.


My teaching experience covers intersectional climate arts, creative climate communication, climate change's colonial history and race, climate science fiction and worldbuilding.

I am a Visiting Artist Lecturer at a London art college and recent guest lectures for undergraduate and postgraduate courses include RCA, Architecture Association (AA), Falmouth University, CIEE and University of Kent.

Image: My talk at Somerset House for Earth Day 2018

Other collaborations

I was working collaboratively with Obsidian Coast’s year-long Hypericum Working Group. It is a 'research project developing a collectively produced, ever-evolving code of practice for feminist, antiracist, anticolonial and environmentally sustainable arts organising'. This will foreground marginalised cultural workers to challenge the uneven working environments within arts institutions and elsewhere in the sector.

For 2020, I was part of Rotterdam art gallery MAMA's 'Poule of Programme Makers' and we curated a week-long programme Gentle Strategising with local creative activist groups.

I also research for other artists' projects, notably climate science research for the Otolith Group's film, INFINITY Minus Infinity (2020), in which I also feature.

I'm interested in collaborating with others on climate and social justice issues beyond the arts. Here's my summary for NüVoices, an international female and non-binary collective researching on China, and their panel on gender and climate change.

Image: Sensing / Mapping (2020) by Angela Chan



Independent Research

Worm: art + ecology

All exhibitions have been fully funded, thanks to:


Image: Angela's moss and green screen nails, bts filming with Otolith Group 2019

I work freelance on these projects and am open to opportunities in the cultural, environmental, educational and literary sectors. I also work across climate and sustainability research for arts organisations and institutions including Julie's Bicycle, Cape Farewell, both the Estates and Learning and Exhibitions departments at the V&A Museum, the Wellcome Collection, as well as in a sustainable architecture studio in Shanghai.
CV and portfolio available upon request.

Web design by Angela YT Chan